Schedule | Spring 2014

January: 22, 27 | February: 3, 10, 17, 24 | March: 3, 10, 17, 24, 31 | April: 7, 14, 21, 28 | May 5

Current Meeting and Next Homework

F 5/9

Homework

Write a sample exam question that asks us to explain something about the relationships of literacy, technology, and society" by relating a critical idea from the course to one of our texts.

Post your question to the Moodle forum, "Sample Final Exam Questions."

 

Day 40. Final Exam Prep and Wrap Up 2

Looking at the Final Format

See the Moodle forum "Sample Final Exam Format" under "Topic 3: Final Exam"

Postmodernism

  • material base
  • Jacques Lacan (signifier, signified, referent)

Your Questions from Moodle

A. Which question does the best job of relating a particular critical idea to a “new text” to get us to think about the relations of literacy technology, and society?

B. Which is the most intriguing question?  

C. Which question would you most like to spent time answering?  

D. Which question would be most difficult to answer?  -

Revising a Question

Evaluations

 

Scheduled final time:
Thursday, May 15, 2:00

Homework

Post to Moodle

As part of preparing for the exam, post the revised question that you co-wrote with your neighbor in class into a reply to the Moodle forum, "Sample Final Exam Questions."

Post the revision as a reply to the original verison of the question.

Please try to do with by Monday of Final Exam Week at noon so everyone will have a chance to review it as part of studying for Thursday.

 

Online FINAL EXAM via Moodle 8 a.m. to 3 p.m. (open book, open note, 2-hour time limit)

Final Exam Directions and Time Frame

moodle Complete the two-hour final exam via Moodle sometime between 8 a.m. and 5 p.m. today.

This means you should begin the exam no later than 3:00 so you can have a full two hours before the exam closes.

You will find the link to the exam, "Final Exam," under "Topic 3 Final Exam."

Only Three Answers

Remember to answer only three of the five questions.

Preview

A preview of the exam format is available via the Moodle forum "Sample Final Exam Format" under "Topic 3: Final Exam."

The link to the actual final exam will appear just beneath the link to this sample, but the final exam itself will not be available until the scheduled exam-time window.

Precausions

As a precaution, be sure to write each answer in text-editing software and save it in a file on your computer.

After you have completed each answer, copy the text into that question's text box in Moodle and "Save."

It would also be a good idea to copy or makes notes on the questions you intend to answer so you will have access to them even if Moodle fails during your exam time.

How to Complete the Exam If Moodle Fails

If you have problems with Moodle during the exam time, please copy the text of your answers into an email and send the email to me no more than two hours after the time you started the exam.

Technical Issues and Help

If you are using Firefox and have trouble typing or pasting into a text box, use the handle grip in the lower right of the text box to enlarge it slightly.

If you have technical issues during office hours, you can call the ITSS Help Desk at 726-8847.

 

 

January

Homework to Complete Topics in Class

WEEK 1
W 1/22 (1)

 

 

Homework

Obtain the Books

See the syllabus

Day 1. Introduction to Literacy, Technology, and Society

Syllabus and Course

Literacy, Technology, Society

Timeline and Phases of Society/Identity

Resources

 

F 1/24 (2)

 

Homework

Read and Be Prepared to Answer

Read Walter Ong, Chapters 1 and 2 using the principles of Active Reading, and come in prepared to answer the Reading Questions.

Don't answer on the handout--answer in the margins of the book with word tags, arrows, stars--whatever symbols seems useful.  

Photocopy and bring in

After you've read and marked your text, choose a two-page spread from the book that best shows your active reading and engagement with Ong and one of more of the questions above.  

Photocopy that two-page spread, write your name in the upper right, and bring it to class next time to turn in.  

 

Day 2. Literacy and Orality

Film Clip: Turkish medieval song from Homer: Singer of Tales

from Plato's Phaedrus

Reading Questions for Chapter 3

 

WEEK 2
M 1/27

Homework

See Homework for W 1/29

Wind-Chill Day 2014 - No Class Meeting

W 1/29 (3)

Homework

Read and Mark

Read Ong's Chapter 3, "Psychodynamics of Orality" and come in prepared to answer the Reading Questions for Chapter 3

Answer on Paper

Answer each of these questions in writing: a paragraph, a list, a chart, or map, etc. Make your answer "thing-like" (Ong 11), and be sure the "thing" specifically refers to particular pages and passages in Ong's Chapter 3.

Day 3. The Oral Mind

A
A
R
C
L
A
E
H
S

38-Year-Old Wheat Farmer

wheat farmer

 

Resources

1. "Body of institutions and relaitonships,"
2. "common life" as in "life we share in common" 
3. companionship or fellowship

 

F 1/31 (4)

Homework

Read and Mark

Read "Ong Chapter 4 "Writing Restuctures Consciousness." Mark and make marginal notes, especially with the question below in mind.

Write, Print, and Bring

Write a 500-word "Preparation Sheet" titled "Ong Chapter 4" which answers the following question:

"According to Ong, how does the technology of writing "restructure consciousness" and how does this restructuring affect human society?"

This preparation sheet should

Bring

Bring your Ong book and be sure you have the hnadouts "The Cathedral and the Book" and "from Plato's Phaedrus"

Day 4. Writing Restructures Consciousness

Review from Last Time

  • nonsense sentences for "AARCLAEHS" (why you weren't supposed to write them via Moodle or paper)
  • "Sight isolates, sound incorporates" (71). This is exampe of an "intellectual postcartd" of the kind you'll put together for Monday's homework.

Discussion of Chapter 4

Extreme change of gears:
Reading from your responses and commentaries...

"The Sense of True Writing"

  • page 83

Resources

 


February
  Homework to Complete Topics in Class
WEEK 3
M 2/3 (5)

Homework

In the Moodle forum, "Writing Restructures Consciousness," create an "intellectual postcard" about a contemporary example or effect of this restructured consciousness.

An intellectual postcard is an image or video combined with a short piece of writing (a sentence or paragraph) that explains a critical idea.

Use a quote from Ong somewhere in your writing. Feel free to repurpose a passage from your Preparation Sheet on Chapter 4.

You should try to insert a visible image into your posting, rather than just inserting a link. To insert an image in Moodle,

  1. Find an image online.
  2. Right-click (control+click on Mac) and select "View Image"
  3. In the new browser window, copy the URL from the location bar at the top
  4. In the Moodle forum, choose to post a reply
  5. Click in the New Message Window
  6. At the top of the message window, click the "Insert Image" icon (looks like a tree)
  7. In the Insert/Edit Image Window, find the "Image URL" box and paste in the URL.
  8. Click the "Insert" button
  9. In the message window, you can type or copy text to include with the image.
  10. If you are unable to make this work, simply include a text link to the image in your message.)

If you insert the URL of a video (YouTube, for example), Moodle will usually embed the video in a player, which will allow us to watch it without having to leave the Moodle page.

Day 5. The Machine that Made Us

Viewing Guide

Handout: Viewing Guide for the film

W 2/5 (6)

Homework

Read

Re-read the following pages from Ong concerning Plato and his complicated relationship to the transformation of consciousness and society from oral to literate: 23-24, 78-80, 103.

Then read "from Plato's Phaedrus" marking passages in which Plato's actual words seem to bear our out what Ong observes about Plato's attitudes and ideas concerning oral vs. written thought.

Write

Moodle In a reply to the opening message of the Moodle forum "Plato," write a long paragraph describing and analyzing Plato's ideas about oral vs. written communication/consciousness/society and quoting both Plato and Ong at least twice.

Post this Moodle posting before the beginning of class.

Day 6. The Machine that Made Us

Return of Preparation Sheets

Key to Response Symbols

Your preparation sheets will have evaluations in three categories: Content, Execution, Mechanics

Why Narrative?

Comments on narrative (Cobley)

 

F 2/7 (7)

Homework

Read

"Cobley, Chapter 1 "In the Beginning, The End"

Reading Question:

Cobley argues that the power of narratives comes not simply from their content, but from the form of narrative.

This power, Cobley says, is fundamental to the human experience, which makes "narrative" much more than just another way of organizing a piece of writing.

Choose three specific quotations from Cobley's chapter which suggest the source, nature, and/OR consequence of this primal, narrative power.

Come to class prepared to read and explain your choices.

Day 7. Why Narrative?

How the Cobley Book is Different From Ong's Book

Terms from Cobley C1

  • Story, Plot, Narrative
  • Narrative
  • Showing and Telling
  • Emplotment
  • History

 

 

WEEK 4
M 2/10 (7)

Homework

Read

Read Cobley, Chapter 3 "The Rise and Rise of the Novel."

Reading Question:

Cobley argues that how you choose to tell a story creates a "problem of representation" and a potential crisis of social authority.

Identify three passages (with page numbers) from the chapter that suggest why the telling of a story has such an effect on the story's meaning and consequence.

Post In Moodle

Choose one of those passages and, in a reply to the Moodle forum, "Cobley C3," write a paragraph explaining how Cobley is saying (or suggesting) that narrative plays a role in consciousness, society, identity formation, etc.

Day 8. Cobley C3: The Problem of Representation (narrative mimesis)

How the Cobley Book is Different from the Ong Book

argument v. survey (writer v. sources)

Representation

Resources:

Imitation and Elaboration

showing and telling, scene and summary, imitative mimesis and the poet's voice

W 2/12 (8)

Homework

Read

Read Cobley, Chapter 4, "Realism"

Reading Questions

1. According to Cobley, what are some characteristics of "realist" representation? What ideas, attitudes, philosophies, or goals do works of realism share?

Make a list of at least four characteristics with page numbers.

2. Conventionally, "realistic" representation is assumed to be objective, scientific, and apolitical. Throughout this chapter, however, Cobley argues otherwise.

Identify at least three of Cobley's reasons, ideas, examples, or arguments (with page numbers) that show how realist narrative is not pure or uncontroversial in its representation of truth.

Post In Moodle

Choose one of those passages and, in a reply to the Moodle forum, "Cobley C4," write a paragraph explaining why realism is not a way around the problems and controversies of representation.

Day 9. Realism (Cobley C4)

List

Ideas, Attitudes, Philosophies, Goals Shared by Works of Realism

Resources

F 2/14 (9)

Homework

Read

Read Cobley Chapter 5, "Beyond Realism"

Reading Question:

In Chapter 4, Cobley argues the 19th and 20th centuries saw a transformation in the scale of economic life (i.e., "capitalism") through three phases (98). These phases had profound effects on both the form and focus of narratives, and on contemporary models of individualism or identity. In Chapter 5, Cobley is describing the last phase of economic development: the global or "imperialist" stage.

Identity at least three passages or examples from Chapter 5 that demonstrate the characteristics of this third phase, and how those characteristics resulted in "modernist" narrative style and a "modernist" identity.

In a reply to the Moodle forum "Cobley C5" (by noon), give the page number, a brief quotation, and two or three sentences of explanation for each of your choices.

Day 10. Modernism (Cobley C5)

Handout

Bakhin's Dialogism (narrative space)

Words

Groovy, Evidence, Mom, Homeland

Comment

Narrative Levels

Resources:

Detecting the Nation

M 2/17 (10)

Homework

Read

Read all of The Picture of Dorian Gray, including the "Preface"

Answer a Reading Question in Moodle

The Picture of Dorian Gray is a book about the relationship of art and life--or, more generally, of representation and life.  

(Remember, "representation" includes writing, visual art, music, performance, or any other way of "externalizing" and preserving experience.)

Wilde's particular position about that relationship can be termed "aestheticism," which is partly a reaction against realism and the conventionalized "common sense" that accepted forms of realism expressed.  

moodle In a message to the Moodle forum "Wilde Dualisms," identify 2 quotations with page numbers which demonstrate the novel's ongoing preoccupation the relationship of art and life and its opposition to common-sense realism, which appears in dualisms like the following:

  • morality vs. sensuality
  • philosophy vs. art
  • beauty vs. genius
  • emotion vs. intellect
  • pretend vs. real
  • the senses vs. the soul
  • etc.

 

Write a paragraph under these quotations explaining how the two quotations, together, might suggest a philosophy or position concerning representation and life.  In what ways might representation be the foundation of a life founded on "aestheticism"?  

Be Ready to Discuss

Thought question: Contemporary criticisms of Picture of Dorian Gray charged:

  • that the book was immoral
  • that the characters are callow "puppies," not worthy of our attention
  • that the book is little more than a "self-advertisement" for Wilde's self-created cult of personality

Wilde responded to these criticisms in his "Preface" to The Picture of Dorian Gray.  

Is the book immoral?  Are the characters shallow?  Does Wilde just use the book as a vehicle for his wit and personal style?  

How does Wilde answer these accusations in specific lines of his rather cryptic Preface?  

Day 11. Picture of Dorian Gray 1

Announce: No Class on Friday

Aesthetic-

"of or relating to the nature of art, beauty, and taste, and to the creation and appreciation of beauty."

-ism

"a distinctive practice, system, or philosophy, typically a political ideology or an artistic movement."

Compare to

  • Idealism (Plato)
  • Pragmatism
  • Realism
  • Modernism

Preface

 

Decadence and Anxiety

- the ending of Dorian Gray

- the Preface as a response to the criticisms of the books as immortal and a self-advertisement.

Resource

Excerpts from Walter Pater's The Renaissance


W 2/19 (11)

Homework

Read

Read the excerpts from Walter Pater's The Renaissance. These are two classic statements of Aestheticism (in short, the independence of art and literature from social utility).

Write or Type in Three Columns

On a piece of paper divided into three columns and two rows (handwritten or printed out),

  • In the left column, write a phrase from Pater
  • in the middle column, write a quotation from The Picture of Dorian Gray (with page number) that appears to show an agreement between Pater and Wilde. If the passage is long, you can uses elipses (....) to leave out the middle of the quotation and assume that we will look up the entire passage in the book
  • In the right column, write another quotation or describe a plot event from Dorian Gray that seems to suggest a disagreement or contradiction--or at least a little distance--between Pater and Wilde.

Do this twice so you fill up both rows (two left, middles, and rights).

Beneath these columns, write a long paragraph that performs a "close reading" of one quotation in light of the others. (For more on close reading, consider this example.)

Bring a hard copy of all the above to class to turn in.

Something Interesting to Think About: Sexual Anxiety

In this class, we're reading The Picture of Dorian Gray (1891) right before Dracula (1899) because we want to understand why the 1890s were such an "anxious" period, especially in terms of gender and sexuality. Dracula is drenched in such social anxiety.

The ends of centuries tend to produce cultural anxieties about the future. The French even have a word for such periods of apprehension: the fin de siècle (the "end of the century").

Why might The Picture of Dorian Gray have produced anxieities about gender and sexuality in the 1890s--or how might it produce such anxieties for readers today?

How did (or does) aestheticism support or heighten this sexual anxiety in The Picture of Dorian Gray?

Day 12. Picture of Dorian Gray 2

Mikhail Bakhtin and the Prism

Cobley 104-07, 130-32

Aestheticism, Decadence, the Literacy/Technology/Society Cycle

The Hyprocricy of Lord Henry (Harry)?

Ending and Beginning (Aesthetic Meaning as Refraction)

- the ending of Dorian Gray
- the Preface as a response to the criticisms of the books as immortal and a self-advertisement.

2/21  

SNOW DAY 2014

 

WEEK 6
M 2/24 (12)
Read Dracula, pages 26-122

Thought questions:
1. During Jonathan Harker's journey to, and stay with, Dracula at his castle, Stoker suggests contrasts of East and West (Transylvania and Britain). Identify two specific phrases, passages, or descriptions where Stoker characterizes (or even just implies a characterization of) differences between East and West.

...What role do literacy and technology play in shaping those respective societies?

...In what ways do Dracula and Jonathan exemplify their respective societies?

Day 13. Dracula 1

Complete Lecture

Aestheticism and Decadence (review)

Discussion

The East/West Dialogic and Dracula

Handout

"Notes on the Gothic Mode"

Keynote Talk

Stoker, Dracula, and the End of the Century

 

W 2/26 (13)

Homework

Read Dracula, page 123 (Chapter 8) through the end of Chapter 15.

Be prepared for some plot-oriented questions that might take the form of a pop-quiz.

Write and Print Out:

Our handout, "Notes on the Gothic Mode," suggests that a Gothic story might fulfill a radical/critical function or a conservative function--or maybe, variously, both. Which do you think best describes Dracula so far?

Some aspects of modern culture that might be in for either radical critique or conservative defense include

  • gender/sexuality
  • race
  • nationality
  • what is "natural" or unnatural
  • power
  • religion
  • family (blood)
  • rationalism
  • capitalism
  • communication technologies
  • social class
  • there are others -- choose your own


As part of composing your answer, take a look at the online handout about cultural work and the distinction between the work of reinforcing "current structures of feeling..." vs. rehearsing "new patterns" that "history has made necessary."

Write and print out a paragraph that includes two quotations from the book, which supports your opinion. As much as possible, connect the radical/conservative function to the Gothic features of Dracula (explained by the other five features on the handout)

Day 14. Dracula 2

Discussion

conservative or radical/critical?

F 2/28  

No Class Meeting

 


March

Homework Topics
M 3/3

Homework

Read

Read Dracula, Chapter 16 through the end

Day 15. Dracula 3

What I Was Hoping We Would Get Out of Reading Dracula in this Class

  • how meaning in a novel or story operates beyond the plot -- in the synchronic dimension of narrative (threads)
  • how Dracula continues to tell the story told by Ong, Frye, Cobley-- the relations of literacy, technology, and society 
  • what's happening in that story in 1897 -- at the turn of the 20th century

Handouts

 

W 3/5

Homework

Download, Print, Read, Mark, and Bring

1. From moodleoodle, download, print, read, mark and bring to class

  • the first page of Hayden White's Introduction to The Tropics of Discourse
  • the first four pages of Hayden White's chapter "Fictions of Factual Representation" (pages 121-125) from his book Tropics of Discourse
  • the first two pages of Hayden White's chapter "Interpretation in History" (pages 51 and 52)

See the moodleoodle site for links to these PDFs.

2. Download, print, read, mark and bring to class the passage from Moses Coit Tyler's A History of American Literature 1607 - 1765. (1879) available from out Moodle site: pages 137-38, starting with "There is in this history one vein of writing..." and ending with "...heard by divers godly persons."

Mark wording in Tyler's historical account that suggest the kinds of intepretation or the filling in of gaps which White describes.

3. Download, print, read, mark and bring to class Karl Marx's "Preface" to A Contribution to the Critique of Political Economy (starting with the sixth paragraph)

Read this as both an example of what White calls "metahistory," and also an interpretation of the historical processes we've been discussing in class (think of Ong, the big timeline on the board, the succession of eras in Cobley, etc.).

Day 16. Historiography, White, Marx

Review from Last Time

  • Modernity
  • -- What are some ways that we resist "modernity" in our own ways today? What are the avenues?

Terms

  • Ong: "you know what you can recall" (33)
  • historiography
  • interpretation vs. scientific explanation
  • metahistorian vs. so-called proper historian
  • Discourse
  • Data/Image
  • Base/Superstructure

Resources:

Comment

Why history matters today (Fredric Jameson)

F 3/7

Homework

Download, Print, Read, Mark, Bring

Print out, and actively read Immanuel Kant's "What is Enlightenment?"

Respond, Print, and Bring

Respond to the Reading Question print them out, and bring them to class.

Day 17. Marx: Historical Materialism, and Kant: Enlightenment, Literacy, and Print

Review from Last Time

White: "Something like how the victors being the ones to write histoy?"

Terms

  • Base/Superstructure

Resources:

Comment

Why history matters today (Fredric Jameson)

WEEK 8
M 3/10

Homework

Read

Read Cobley C6: Modernism and Cinema

Copy, Paste, Write, Print, Bring

Copy the following questions into a Word file and, for each, record page numbers and brief verbal tags that point to two quotations from Cobley that help answer it. Print out the document and bring it to class. (Note that your answers may be handwritten or typed on the printout.)

1. According to Cobley, what are the features of modernist narrative (for instance, how does it differ from realist or traditional narrative)?

2. What are the features of a modernist self or identity?

3. In what ways does cinematic narrative differ from print narrative according to Cobley? What are some of cinematic narrative's features and techniques?

4. According to Cobley, what are some ways that cinema naturally expresses modernist ideas and attitudes? What are some examples Cobley uses, or that Cobley makes you think about?

 

Day 18. Modernism and Cinema (Cobley C6)

Process of Preparing for the Midterm Exam

Review from Last Time

Kant's private and public uses of reason

Resources

 

 

 

W 3/12

Homework

Read

Cobley, Chapter 7 "Postmodernism"

Copy, Write, Print, Bring in

Answer each of the following questions in a paragraph. Quote from the Cobley book at least once in each.

1. In what ways does the postmodern condition result from the saturation of everyday life by media (the "mediation" of life)?

2. In what ways does the postmodern condition result from changes in the material or economic nature of this era's society (a.k.a., Marx's "base")?

3. How do postmodernist attitudes and ideas about the past (or history) differ from either the modernist rejection of the past, or the older veneration of tradition? What are these attitudes and ideas?

4. How do the "grand narratives" or "metanarratives" that Cobley (via Lyotard) talks about differ from ordinary stories or narratives? In other words, what makes them "grand" or "meta"?

 

DAY 19. Postmodernism

Process of Preparing for the Midterm Exam

Postmodernism

"Real Dogs Have Fun, Mostly Inside"

dog inside

Resources

F 3/14

Homework

Bring all readings, handouts, and other material from the first half of the semester.

DAY 20. FIRST-HALF WRAP UP
Review for Midterm Exam, Part 1

Review Postmodernism

"Real Dogs Have Fun, Mostly Inside"

dog inside

Format of Exam

See the Exam Format

Kinds of Things to Know for the Exam

  1. Know who said/thought what
  2. Understand transformative terms
  3. Identify components of important ideas and how they relate ("W" is made up of "X," "Y," and "Z")
  4. Distinguish key distinctions ("this vs. that")
  5. Make connections and elaborate narratives ("this goes with that," or "this leads to that" or "this is like that")

Examples of Each Kind of Thing to Know

  1. Immanuel Kant wrote "What is Enlightenment?"
  2. What specifically Kant means by "enlightenment"
  3. Kant's vision of social progress is based on the goal of "enlightenment" achieved when the public is free to use its reason publically (a.k.a., in the "public sphere").
  4. Kant's private use of reason vs. public use of reason
  5. how writing and print led to Kant's "public sphere" and why it isn't possible without them, as suggested by Walter Ong.

Literacy, Technology, and Society

What ideas are most revealing, surprising, powerful, etc. in explaining the interplay of these three ideas, and in understanding the changes they have produced over history?

Groups

Find an example of each kind of priority (not about Kant!) from one or more of our readings, handouts, discussions, lectures, etc. Be sure each of them ultimately is related to "Literacy, Technology, and Society"

Using one of the question formats from the Exam Format handout, compose a question for each of the five priorities. Try not to make the quesitons too easy or too hard.

Again, the question formats are:

  1. Identification,
  2. Fill-in-the-Blank Terms,
  3. Short Answer

 

WEEK OFF
M 3/17
Spring Break
 

Spring Break

W 3/19

Spring Break
  Spring Break

F 3/21

Spring Break
  Spring Break
WEEK 9
M 3/24

Homework

Repeat on Your Own

Repeat what we did in groups on Friday, but on your own with new examples:

Find an example of each kind of exam-question priority (not about Kant!) from one or more of our readings, handouts, discussions, lectures, etc. Be sure each of them ultimately is related to "Literacy, Technology, and Society"

Using one of the question formats from the Exam Format handout, compose a question for each of your five examples. Try not to make the quesitons too easy or too hard.

Post to Moodle

Moodle In the Moodle forum "Midterm Exam Prep," post your five questions. Group and order them according to the question format you use:

  1. Identification,
  2. Fill-in-the-Blank Terms,
  3. Short Answer

 

DAY 21. FIRST-HALF WRAP UP
Review for Midterm Exam, Part 2

Event on Friday at 11:00

Please join Writing Studies (Journalism and Professional Writing) students for a public presentation on writing and the performing arts in the digital era.

"Personal Dispatches from the Front of the Digital Revolution"

  • Diane Adams (Director, International Falls Public Library) 
  • Jeffrey Adams (Artistic Director, Icebox Radio Theater)

How has the digital revolution changed the landscape for writers and content creators?  Join Diane Adams (Director, International Falls Public Library) and Jeffrey Adams (Artistic Director, Icebox Radio Theater, http://www.iceboxradio.org/) for two eye-witness perspectives on living and working in a world where publishers, record companies and movie studios are giving way to Kindle, iTunes and Netflix.

  • When 11 AM Friday, March 28, 2014
  • Where:  LSBE 265 

 

Group Work

tree

On the Midterm Exam Study Tree handout, write down three ideas, questions, problems, dilemmas, techniques, or solutions, etc. that seem prominent or useful to you from our readings about Literacy, Technology, and Society.

Try to choose items that speak to the history, effects and consequences of "Literacy, Technology, and Society" and their interrelationships.

Enter each item on your Study Tree, citing the page number

Resources

Sample Exam Format

W 3/26

Homework

Study for the Exam

Bring

  • Bring a reliable blue or black pen (or maybe two)

Don't Bother Bringing

  • No blue books needed
  • Since this is a closed-book exam, no books, printouts, or notes can be used.

 

Day 22: MIDTERM EXAM
F 3/28

Homework

Read

George Orwell's 1984, pgs. 1- 104.

Write a Paragraph Using 3 Quotations

What are some ways that the government controls society in 1984?

Identify three quotations that help describe these methods and their effects.

Write a long paragraph that uses the three quotations to answer the question.

Print the paragraph and bring it to class.

 

Day 23. 1984 1

Topics

  • Modernity (handout)
  • Resistance to Modernity (handout)
  • modernism (component ideas)
  • history as narrative (White)
  • discourse (White, data, image of meaning)
  • Marx's Engine of History (base and superstructure)
  • literacy (Ong, Cobley)
  • writing (Ong, Cobley, Marx, Plato)
  • consciousness (Ong, Cobley, Marx)
  • identity (Ong, Cobley)
  • print, technology (Machine That Made Us)
  • enlightenment (public use of reason - Kant)
  • sexuality, gender (Dracula)

Resources

Barnhill, the Island of Jura, Scotland

WEEK 10
M 3/31

Homework

Read

1984 Book Two: pgs. 105- 224

Reading Questions:

What kind of rebel is Julia? How does she differ from Winston in her rebellion?

How does Orwell describe the paperweight? What does it represent to Winston? How does Orwell use it in the story?

In what ways does war serve the Party's interests?

Day 24. 1984 2

Julia as a Rebel

Proles

Resources

 


April


Homework Topics
W 4/2 Read 1984 pgs. 225 - end

Write: moodle Before 8:00 a.m. today, answer the following in the Moodle forum, "Orwell"

1. Describe a way that Orwell's social and political satire still applies today, even to situations (and with technologies) he never imagined. Be sure to cite a particular quotation from the novel.

2. How does 1984 illustrate any idea from the theories of Marx, Ong, Kant, White, those in Cobley, or any other work or handout we've read? Cite a specific quotation from 1984 and a passage from one of these other sources. How can we use any of these ideas to explain what's gone wrong with the society in Orwell's dystopia?

Day 25. 1984 (through the end)

Resources
Intellectual Postcards (Ideas Site)
Nihilism
The Real Room 101
base and superstructure
F 4/4  

Snow Day 2014

 

WEEK 11
M 4/7

Homework

Read

Bridget Jones' Diary (all)

Note Page Numbers

Come to class with two passages (with page numbers) chosen to help answer the following questions.

1. If you found this book funny at all, let's think about its comic or satirical aspects. In general, what are we laughing at? Are there repeated objects of humor? What might Fielding be satirizing (criticizing) in this book?

2. What are some postmodern aspects or moments in this book? (See details from our handout and Cobley's chapter).

3. Bridget and her friends like to go out and indulge in what Bridget calls "drunken feminist ranting" (107). Is Bridget Jones' Diary feminist? anti-feminist? post-feminist? We've talked about how female gender identities in Dracula signal anxieties about the coming modernist age. What implications does Postmodernism have for gender identities in (more or less) our own time?

Day 26. Bridget Jones' Diary 1

Resources

 

W 4/9

Homework

Write and Print Out

1. Choose one passage (a paragraph to a page) from Bridget Jones' Diary which illustrates or suggests how the book might be "postmodern" in its style, subject matter, or meaning.

Consult the the Posmodernism handout defining the 6 characteristics of postmodernism. From class activities, you should have notes written on the handout, keying certain quotations from Cobley's book to the handout's six items.

2. From the passage in the novel, identify several key words or phrases that exemplify its meaning as an example of postmodernism.

3. Write a preparation sheet of 250 words (1 page, double-spaced) which performs a close reading of these words or phrases and their role in the passage. What are the implications of Fielding's word choice or word order for postmodern issues?

In the paragraph, be sure to quote Bridget Jones' Diary at least twice, and the Postmodernism handout (or Cobley's postmodernism chapter) at least twice.

 

Day 27. Bridget Jones' Diary 2

Modernity, Modernism, Postmodernism

Mini-Lecture with drawings

Ong's 38-Year-Old Wheat Farmer

wheat farmer

Postmodernism: (R.D.H.F.M.I.)

dog inside

Groups

How does

  • the world of Bridget Jones,
  • the mind of Bridget Jones, and 
  • Helen Fielding’s way of writing Bridget Jones' Diary

register some of the social and psychological consequences of life in postmodern conditions?  

In your groups, each of you can make handwritten additions, corrections, and annotations of what you printed out.

Feminism Question

Resources

  • "Commentators such as Jean Baudrillard see the same period as dominated by the constant action of signs referring to themselves in an all-encompassing realm of 'simulation,' where signs take on value not because they refer to things in the world but because they refer only to each other" (Cobley 189)
  • "Producers of narratives [are] 'oppressed by the [postmodern] fear that whatever they might have to say has been said before, and condemned to self-consciousness by the climate of modern culture" (Lodge qtd. in Cobley 199).
  • Pride and Prejudice: Mr Darcy's First Appearance
  • Bridget Jones' Diary: Intro
  • Postmodern Fight Scene (Mark and Daniel's fight from the film Bridget Jones' Diary)
  • Bridget Jones and 1984 (Guardian newspaper)

 

F 4/11

Homework

Print, Read, and Make Notes On

Print, read and annotate Scott McCloud's Understanding Comics"Chapter Two" available from the Moodle site.

Reading Questions: What points does McCloud make about the nature of "visual literacy" (in comics and graphic fiction).

How about the hybrid literacy that results when visual and verbal languages are mingled together?

Come in with 3-5 specific panels to point to that illustrate/make such points.

Designate panels by page number, row, and column (41.1.2)

Come in ready to discuss the key ideas about visual or hybrid literacy, to point to where and how McCloud "explains" those ideas (what's the right word?), and ways that McCloud's style of presentation reflects the principles that he's conveying.

 

Day 28 Scott McCloud's Understanding Comics 1

Resources

WEEK 12
M 4/14

Homework

Print, Read, and Make Notes On

Print, read and annotate Scott McCloud's Understanding Comics," Chapters 4 and 6, available from the Moodle site.

If you wish, you can print multpile pages per sheet to save paper and printing costs.

Post to Moodle

In the Moodle forum “Visual Styles,” post an image (as a visible image) and use McCloud’s critical vocabulary to analyze its visual style in a paragraph.  How does the style affect the images meaning and effect? Be sure to cite the page, row, and column of the panel where McCloud discusses any critical terms you use. 

Resources That Might Be Useful

Reading Questions

For each question on the Preparation Sheet for McCloud's Chapter 4 and 6, write down a page, row, and column number.

Be preprared to discuss your choices.

 

Day 29 Scott McCloud's Understanding Comics 2

W 4/16

Homework

Read

Read Persepolis: all including introduction

Post to 3 Moodle Forums

moodle By 8:30 today: In the three Moodle forums for Persepolis and McCloud, I will ask you to compare an individual panel or sequence of panels from Persepolis (cite page number and row number) to an idea/technique/effect from McCloud (represented by a particular panel or set of panels identified by page/row number).

Write about three such comparisons:

  1. in the "Perspolis and McCloud's C2" forum, compare panels from Satrapi and McCloud's Chapter 2 to analyze a technique of Visual Style in Persepolis

  2. in the "Perspolis and McCloud's C4" forum, compare panels from Satrapi and McCloud's Chapter 4 to analyze a technique of Panel Composition, Sequence and Time in Persepolis

  3. in the "Perspolis and McCloud's C6" forum, compare panels from Satrapi and McCloud's Chapter 6 to analyze a technique of using Word/Image Combinations in Persepolis

In each case, try to explain how the McCloudesque technique affects the meaning and feeling Satrapi achieves in the story at that moment. In other words, we want to see how McCloud's various techniques actually matter when it comes to a real narrative.

Day 30. Persepolis 1

Close Reading

Possible subjects

 

Resources

 

F/18

Homework

Bring

Bring to class your McCloud printouts, Persepolis, and 1984.

Print Out and Read

Print, read, and write comments on the pages of McCloud’s Chapter 3 (available from the Moodle site). You can print multiple pages per sheet if you want to save money and paper.

Print and Annotate

Then Xerox/scan/print a single page from Persepolis and write annotations on the copy/printout that perform a "close reading" of the ways that Satrapi uses techniques of "closure" between or among panels to create meaning or effects in the reader's mind.

Draw lines between details in the panels (or the spaces between) and your comments (which you can write on post-its or small pieces of paper taped to parts of the page which are not part of your analysis.  

Each of your comments should cite a page/row/column in McCloud (mostly from Chapter 3, but other chapters too as useful).

Bring this printout to use in class and turn in.  

Make a Double-Entry List

Make a double-entry list of comparisons between 1984 and Persepolis: Winston and Marjane, Oceana and Iran, The Party and the Iranian Governmnent.  List at least five details and specifics that are examples or these and other differences with page numbers from both works.  

Make Notes on the Handout

A Thought Question we will discuss: how are 1984 ahd Persepolis different in the ways they deal with the similarities you noticed?  

If Orwell is writing a “dystopian political satire,” then how do Satrapi’s different purposes (see the handout) account for differences between 1984 and Persepolis?  

Make some notes on the handout of your ideas. How does the contrast with Persepolis help you define what Orwell is doing in 1984?  

Day 31. Persepolis 2

Resources

WEEK 13
M 4/21

Homework

Film Literacy Exercise

  1. Turn a piece of paper so it is oriented landscape
  2. Divide the page into four columns
  3. Label each column 
    Cinematography
    Editing
    Mise-en-Scene
    Sound

  4. Watch a scene from a film or television show (ideally one you can pause)
  5. Try writing down what is happening simultaneously or sequentially in each column.  

    In other words, imagine that there are time markers running down the left edge of the page, and try to keep your notes in that time structure, top to bottom.  

  6. You may need to replay the scene again.
     

Bring your page with you to class.

Day 32. Film Literacy

Four Parameters of Film

Intertextuality (Postmodernism)

Resources

Handout

The Tragic Wit of Psycho (Donald Spoto)

 

W 4/23

Homework

Read

The Tragic Wit of Psycho (Donald Spoto)

Choose a particular theme or effect described by Spoto to look for as you watch the film

Come in with several sheets of paper divided into four columns for taking notes on the four parameters of film: Cinematography, Editing, Mise en Scene, Sound.

Be prepared especially to take notes on the narrative of the film (as opposed to the story or plot), paying particular attention to how the film's technique serves a meaning and effect that Spoto talks about (and the meaning and effect of the film generally).

Essentially, we want to pay attention to how technique (narrative) is deployed not for its own sake, but for larger social, cultural, political, aesthetic purposes.

Day 33. Psycho 1. How the Parameters of Film Are Used Together for Narrative Effect

 

F 4/25

Homework

Post to Moodle "Psycho 1"

moodle Before 9:30 today, post a paragraph to the Moodle forum "Psycho "1 about two patterns or consistencies you see in Hitchcock's use of one or more of the four parameters of film.

Post to Moodle "Psycho 2"

moodle In a reply to the forum "Psycho 2," write a long paragraph that does the following:

1. Begin with something Spoto observes about Psycho.

2. Analyze...

A. a scene, shot, or sequence in the film that illustrates and supports that observation....

B. Then, how that same scene, shot, or sequence illuminates something else Spoto says in the handout.

Reply to Someone in "Psycho 2"

Finally, respond to someone else's Moodle posting, calling attention to some connection or parallel between that posting and your own.

In essence, we're using one piece or aspect of Psycho to enable us to see how two of the many ideas Spoto talks about work together in the film, which include:

  • Gothicism,
  • the American Dream,
  • sex,
  • wit,
  • sadness,
  • bathrooms,
  • audience manipulation,
  • tragedy,
  • economy of style, etc.

 

Day 34. Psycho 2: Time and Identification

Review from Last Time

How the Four Parameters of Film work together to create narrative meaning and effects.

Homework (Psycho 3)

Literacy Makes Identification Possible

  • whom do we identify with? 
  • whose pleasures and anxieties do we share? 
  • whose reality do we inhabit?  
  • What are the cultural, moral, political implications of that sense of identification?  (Meaning comes out of identification)

Resources:

Scene Run Times:

  • Opening scene in the hotel: 3:10
  • Office scene when the money is introduced: 4:09
  • Norman cleaning up: 11:00 mins

 

WEEK 14
M 4/28

Homework

Post to Moodle's "Psycho 3" (Visual Analysis)

moodleIn the Moodle forum, "Psycho 3," post one or (if possible) two screen shots from the film and write a paragraph of commentary.

The commentary should perform a close reading of the effects achieved in those shots through cinematography and mise-en-scene (or perhaps the editing happening between those shots).

You can find many scenes and shots from Psycho available online, especially at YouTube.

Consider also applying some of specific critical terms and ideas from McCloud's discussion of visual literacy.

To create the screen shots, follow the directions from my Techniques Site "Screen Shots." Try to size and select the screen shot so it is no wider than your hand (between 3 and 4 inches).

Save the screen shots that your computer produces to your computer or a USB drive, and then follow the directions to upload the images to Moodle from there.

 

Day 35. Psycho 3

Resources

George RR Martin on Psycho  

 

W 4/30

Homework

Read and Think

The last three Moodle forums--Psycho 1, 2, and 3--have concerned:

  1. Hitchcock's use of the four parameters of film (cinematography, editing, mise-en-scene, and sound)
  2. themes and motifs that appear in Psycho (see the handout with the excerpt from Spoto's book on Hitchcock),
  3. visual analysis of particular shots and edits

Read through everybody's posts to the three Moodle forums and choose one idea, insight, example, or interpretation that strikes you as revealing something important or surprising about the film.

Write and Print

Write a long paragraph that combines ideas and examples to explain and further elaborate that idea, insight, example, etc.

In your paragraph, try to illustrate your ideas and concepts with specific examples and details (particular shots, edits, camera work) from the film.

Print your paragraph and bring it to class to consult during our discussion and then turn in.

Day 36. Psycho 4

Shots

 

Themes

  • Gothicism,
  • the American Dream,
  • sex,
  • wit,
  • sadness,
  • bathrooms,
  • audience manipulation,
  • tragedy,
  • economy of style, etc.

 


May


Homework Topics
F 5/2  

No Class Meeting

 

WEEK 15
M 5/5

Homework

Find

Think of an example of a movie, television show, novel, or song that makes or implies a reference to another movie, show, novel, or song.

Try to pick an example in which that reference is "knowing"--that is, where the reference acts as a nod or nudge to the audience. Such nods are often shorthand for some understanding or point in the primary work.

We'll call the example itself the "primary text," and the second work the "reference text"

Bring

Bring in a sample or example either

  • in physical form on paper that you can turn in, or
  • in digital form as a link with brief explanantion in our Moodle forum "Intertextuality."

Be Ready to Talk

Be prepared to describe your example and to explain what the reference in the primary work serves to suggest to the audience, or what that reference adds to the meaning or effects of the primary work.

Also Bring

Please bring your Cobley book.

Day 37. Intertextuality and Augmented Reality

Kinds of Things to Know for the Midterm Exam

  1. Know who said/thought what
  2. Understand transformative terms
  3. Identify components of important ideas and how they relate ("W" is made up of "X," "Y," and "Z")
  4. Distinguish key distinctions ("this vs. that")
  5. Make connections and elaborate narratives ("this goes with that," or "this leads to that" or "this is like that")

Kinds of Things to Know for the Final Exam

  1. Understand transformative terms
  2. Identify components of important ideas and how they relate ("W" is made up of "X," "Y," and "Z")
  3. Distinguish key distinctions ("this vs. that")
  4. Make connections and elaborate narratives ("this goes with that," or "this leads to that" or "this is like that")
  5. Be able to apply critical ideas to new texts.

Review Postmodernism

"Real Dogs Have Fun, Mostly Inside"

dog inside

Intertextuality

Intertextuality: the shaping of a text’s meaning by another text

Augmented Reality

the experience of the real world when it is layered with media (example, Times Square)

Resources

 

W 5/7

Homework

Bring Back

Bring back to class the example of one text referencing another (intertextuality), which was the homework for last class meeting. If you posted to Moodle, you're fine. 

Bring Books and Materials:

Bring Ong, Cobley, Bridget Jones, McCloud, Persepolis, your viewing notes from Psycho, and all your handouts.

Write Two Short Paragraphs

Write two short paragraphs and bring them in on paper.

In each paragraph, try to suggest how a critical idea from Ong, Cobley, McCloud, or one of the handouts might be applied to any the texts from the second half of the semester: Bridget Jones, Persepolis, Psycho, your examples of intertextuality, the Rally Monkey, etc.

Note that your paragraph doesn't need to fully explain how the critical idea could be applied to the text (which might require a whole paper to develop) but only to identify the critical idea and to describe what aspect of the text it would be applied to.

Try to explain why you chose to match that idea and the chosen aspect of that particular text.

 

Day 39. Final Exam Prep and Wrap Up 1

 

F 5/9  

Day 40. Final Exam Prep and Wrap Up 2

 

Scheduled final time:
Thursday, May 15, 2:00
  Online FINAL EXAM via Moodle
(open book, open note, 2-hour time limit)


moodle Complete the two-hour final exam via Moodle sometime between 8 a.m. and 4 p.m. today.

Remember to answer only three of the five questions.

If you have technical issues during office hours, call the ITSS Help Desk at 726-8847.

As a precaution, be sure to write each answer in text-editing software and save it in a file on your computer.

After you have completed each answer, copy the text into that question's text box in Moodle.

If you have problems with Moodle during the exam time, please copy the text of your answers into an email and send the email to me no more than two hours after the time you started the exam.

If you are using Firefox and have trouble typing into a text box, use the handle grip in the lower right of the text box to enlarge it slightly.