Complete the exercises in Chow's Chapter 4 and bring the results to class on your USB drive.
Questions?
Whitsun Weddings We will discuss how this poem achieves meaning through contrast, tension, and narrative. Then we will talk about how New Media provides its own "tropes" for authors to achieve the same kinds of "dialogic" meaning.
Chow Chapter 3 To complete this exercise, insert your USB drive into your computer's USB slot, and Chow's CD into the CD drive. Then--together--we will follow Chow's direction starting on page 32
Thursday, January 28
Roll
For Today You Were To
Complete the exercises in Chow's Chapter 4 and bring the results to class on your USB drive.
For Next Time
Complete the exercises in Chow's Chapter 5 (Linking)
Questions?
Troubleshooting Chow's Chapter 3 Exercises
Moving into our USB Drives On the top level of your USB drive, create a set of folders that look like this:
www >>4250 >>>>exercises
Setting Up a "www" site
Today we will set up a site corresponding to our Web space ("www") on the server (see Chow page 479).
When you set up your "Remote Info," use the following values
FTP Host: www.d.umn.edu
Host Directory: www/
After testing the connection, be sure to unclick the "Save" box next to password
Export the "www" site to the top level of your USB drive: see Chow 36.
Publishing the Exercises
Move the Chow Chap_03 folder to "Exercises" and then follow Chow's steps for posting all the contents of your "4250" folder to the Web, starting on page 482.
Complete the exercises in Chow's Chapter 5 (Linking) and bring the "Chap_06" folder to class on your USB drive.
For Next Time
Chow's the exercises in Chapter 6 (CSS and Page Properties) and bring the "Chap_06" folder to class on your USB drive. (Note that this is one of the most important chapters in Chow.)
Questions or Observations on the New Media Writing Project?
See the assignment page. Questions?
Troubleshooting Chow's Chapter 5 Exercises
Publishing the Exercises
In Dreaweaver, import your "www" site information (www.ste file)
Using your Mac's Finder, copy the Chow Chap_05 folder to "exercises"
Follow Chow's steps for posting the "Chap_05" folder to the Web, which start on page 482.
Posting the URL to Moodle
Using Firefox browser, visit your "index.html" page inside of the"Chap_05" folder online
copy the URL of the "index.html" page
Visit the Moodle forum, "Chow C5" and reply to my introductory message at the top.
Paste the URL in the message window, and then highlight the URL and make it clickable by chosing the link icon above the message window (icons may not show unless you're using Firefox!).
Dialogic Aspects of Writing and New Media Writing: We will attempt another "un-quiz" using Moodle today, looking at the poem At the Galleria Shopping Mall, by Tony Hoagland. A discussion will follow.
Sorry Everybody (2004, after George W. Bush's re-election in the wake of the invasion of Iraq. See also the rationale)
Chow's the exercises in Chapter 6 (CSS and Page Properties) and bring the "Chap_06" folder to class on your USB drive.
For Next Time
Complete the exercises in Chow's Chapter 7 (Typography) and bring the "Chap_07" folder to class on your USB drive (in www/4250/exercises)
Bring in a URL of an online text (site, blog, page, project, etc.) that might serve as an example of a "New Media Writing Project" as defined by the assignment. Note that your example may exemplify some aspects of the assignment more than others.
Questions or Observations on the New Media Writing Project? See the assignment page.
Questions?
New Folder Regime
Set up the folders on your USB drive as you see below. See the notes below about the logic and workflow of these:
The "stuff" folder should contain everything for this class except the files and folders that actually go up on the Web.
The "chow" folder should contain the files and folders you took off the CD-ROM that came with the book. These should be the original, pristine versions of the materials.
The various "chap_X" folders inside of "exercises" should contain the versions of the Chow-book materials that you are editing, or have completed. From now on, whenever Chow says to copy one of his folders "to your desktop," copy it instead to the "exercises" folder. Once you've copied the "chap_X" folder to "exercises," then you should set up a site for it, as Chow directs.
Troubleshooting Chow's Chapter 6 Exercises
Publishing the Exercises
In Dreaweaver, import your "www" site information (www.ste file)
Using your Mac's Finder, copy the Chow Chap_06 folder to "exercises"
Follow Chow's steps for posting the "Chap_06" folder to the Web, which start on page 482.
Posting the URL to Moodle
Using Firefox browser, visit your "abouttea.html" page inside of the"Chap_05" folder online
copy the URL of the "index.html" page
Visit the Moodle forum, "Chow C6" and reply to my introductory message at the top.
Paste the URL in the message window, and then highlight the URL and make it clickable by chosing the link icon above the message window (icons may not show unless you're using Firefox!).
Complete the exercises in Chow's Chapter 7 (Typography) and bring the "Chap_07" folder to class on your USB drive (in www/4250/exercises)
Bring in a URL of an online text (site, blog, page, project, etc.) that might serve as an example of a "New Media Writing Project" as defined by the assignment. Note that your example may exemplify some aspects of the assignment more than others.
For Next Time
Copy the "Chap_08" folder from "Chow" to your "exercises" folder (www/4250/exercises), and then complete the exercises in Chow's Chapter 8 (Working with Tables).
In a reply to the Moodle discussion "Sample NMW Project," explain how the New Media text you found (see today's assignment above) illustrates two or more of the criteria of the assignment.
For clarity's sake, refer to the criteria by number as listed on the assignment page.
Be sure to paste in the URL where the text can be found online, and make that URL clickable (or explain how we would find the text if it's not on the Internet).
Questions or Observations on the New Media Writing Project? See the assignment page.
Questions?
Troubleshooting Chow's Chapter 7 Exercises
Publishing the Chapter 7 Exercises
In Dreaweaver, import your "www" site information (www.ste file)
If your Chap_07 folder isn't already in your folder "www/4230/exercises," use your Mac's Finder to copy the Chow Chap_07 folder to "exercises"
Follow Chow's steps for posting the "Chap_07" folder to the Web, which start on page 482.
Posting the URL to Moodle
Using Firefox browser, visit your "index.html" page inside of the"Chap_07" folder online
copy the URL of the "index.html" page
Visit the Moodle forum, "Chow C7" and reply to my introductory message at the top.
Paste the URL in the message window, and then highlight the URL and make it clickable by chosing the link icon above the message window (icons may not show unless you're using Firefox!).
Copy the "Chap_08" folder from "Chow" to your "exercises" folder (www/4250/exercises), and then complete the exercises in Chow's Chapter 8 (Working with Tables).
In a reply to the Moodle discussion "Sample NMW Project," explain how the New Media text you found (see today's assignment above) illustrates two or more of the criteria of the assignment.
For clarity's sake, refer to the criteria by number as listed on the assignment page.
Be sure to paste in the URL where the text can be found online, and make that URL clickable (or explain how we would find the text if it's not on the Internet).
For Next Time
A. The Challenge of Criteria 3: Visit at least three examples posted in the Moodle Forum "Sample NMW Project" (not just the message, but the texts it links to as well) and reply to each of the three posts, commenting on the degree to which the text there would fulfill, or not, the dialogical properties of writing as defined in Criteria 3 of the assignment, or in the idea of "Elaborated/Literary" discourse.
2. a one- or two-sentence description (beginning with a word/phrase that designates the "class" as well as various "differentiating terms"):
Samples
"Sorry, Everybody is a blog that invites US citizens to apologize to the world in advance for the actions of President George W. Bush after his reelection. These submitted apologies comprise pictures of citizens holding up apology notes."
PostSecret is a blog that hosts an ongoing community art project where people
submit their secrets anonymously on one side of a postcard.
Implementation is serial novel written to be printed on sheets of stickers, which is about psychological warfare, sex, terror, identity, and the idea of place. We will make these sheets available via the Web, with instructions asking people to print, peel, and paste the stickers in public areas around the world, and then submit photographs of the stickers, in situ, to be compiled on the project's blog.
N_o_o_nQ_u_i_l_t is a Web site that invites writers to submit 100-word entries based on a noon-time story / observation from their part of the world. These prose poems are assembled in a navigable quilt design, where the visitor can click open a "patch" to read an entry that appears in a pop-up window
Cruelest Month is an email narrative which will be performed in daily installments starting in April, and incorporate local and national news; UMD-based locations, events, and objects; and a Web site. The story follows the lives of four, fictional UMD students who are working together on a Web-based sociology-class project about ghosts in Duluth, and invites readers to submit messages as new characters to become part of the story as it is distributed to the audience of subscribers.
3. a one-sentence explanation of the potential audience or participants: their tastes, culture, models, politics, location(s), affiliations, etc.
4. terms from Murray's P.E.P.S that describe the "New Media" aspect of the project, in order of their relevance and application.
5. a one-sentence speculation on the "dialogical tensions" in the project (see the assignment's criteria #3). For example, Cruelest Month explores the tensions between the scientific study of cultural phenomena (ghosts) and the palpable, emotional, and interpersonal experience of them.
Questions?
Troubleshooting Chow's Chapter 8 Exercises
Publishing the Chapter 8 Exercises
In Dreamweaver, import your "www" site information (www.ste file)
If your Chap_08 folder isn't already in your folder "www/4230/exercises," use your Mac's Finder to copy the Chow Chap_08 folder to "exercises"
Follow Chow's steps for posting the "Chap_08" folder to the Web, which start on page 482.
Posting the URLs to Moodle
Using Firefox browser, visit your teapots.html, css-teapots.html, and rounded.html pages inside of the"Chap_08" folder online
copy the URLs of each of the pages
Visit the Moodle forum, "Chow C8" and choose a new discussion
Paste the URLs in the message window for teapots.html, css-teapots.html, and rounded.html, being sure to highlight each URL and make it clickable by choosing the link icon above the message window.
Examples of New Media Writing
Review of Mark Napier's Venus 2.0 by Angela Ferraiolo
I will give you a handout and we will work together on creating a table-based page design. You will need to download this image to use for the page banner.
If we get sufficiently far into this exercise, I may ask you to complete it within 24 hours of class, upload it to the Web, and then send a clickable link to the page to a new discussion in the forum "Table-Based Page." I will tell you if we did not get far enough for this requirement.
Tuesday, February 16
Roll
For Today You Were To
A. The Challenge of Criteria 3: Visit at least three examples posted in the Moodle Forum "Sample NMW Project" (not just the message, but the texts it links to as well) and reply to each of the three posts, commenting on the degree to which the text there would fulfill, or not, the dialogical properties of writing as defined in Criteria 3 of the assignment, or in the idea of "Elaborated/Literary" discourse.
2. a one- or two-sentence description (beginning with a word/phrase that designates the "class" as well as various "differentiating terms"):
Samples
"Sorry, Everybody is a blog that invites US citizens to apologize to the world in advance for the actions of President George W. Bush after his reelection. These submitted apologies comprise pictures of citizens holding up apology notes."
PostSecret is a blog that hosts an ongoing community art project where people
submit their secrets anonymously on one side of a postcard.
Implementation is serial novel written to be printed on sheets of stickers, which is about psychological warfare, sex, terror, identity, and the idea of place. We will make these sheets available via the Web, with instructions asking people to print, peel, and paste the stickers in public areas around the world, and then submit photographs of the stickers, in situ, to be compiled on the project's blog.
N_o_o_nQ_u_i_l_t is a Web site that invites writers to submit 100-word entries based on a noon-time story / observation from their part of the world. These prose poems are assembled in a navigable quilt design, where the visitor can click open a "patch" to read an entry that appears in a pop-up window
Cruelest Month is an email narrative which will be performed in daily installments starting in April, and incorporate local and national news; UMD-based locations, events, and objects; and a Web site. The story follows the lives of four, fictional UMD students who are working together on a Web-based sociology-class project about ghosts in Duluth, and invites readers to submit messages as new characters to become part of the story as it is distributed to the audience of subscribers.
3. a one-sentence explanation of the potential audience or participants: their tastes, culture, models, politics, location(s), affiliations, etc.
4. terms from Murray's P.E.P.S that describe the "New Media" aspect of the project, in order of their relevance and application.
5. a one-sentence speculation on the "dialogical tensions" in the project (see the assignment's criteria #3). For example, Cruelest Month explores the tensions between the scientific study of cultural phenomena (ghosts) and the palpable, emotional, and interpersonal experience of them.
C. Complete and post the Table-Based Page Layout exercise, and create a clickable URL in the forum, "Table-Based Page."
What are some oppositions, tensions, or differences that Roth suggests in the narrative of this chapter?
How does Roth's chapter control our reponses to these "oppositions" without explicitly telling us what to think?
Does Roth's written point-of-view, for instance, suggest a privileging or judgement about the cultural and economic contrasts of urban Newark and suburban Short Hills?
How are these geographic/cultural differences characterized?
How do these differences inform our understanding or anticipation of the relationship that's starting, which will play out in the rest of the novella?
What other "this-versus-that" contrasts do you see in this piece of writing?
What assumptions or conclustions do you think Roth intends for the reader to make (thinking it's the reader's own idea).
Questions?
Send me Your Prospectus
The Challenge of Criteria 3
From the three samples that you responded to in the forum "Sample NMW Project," which one best expressed the dialogical properties of writing, and best exemplifies the idea of "Elaborated/Literary" discourse reconciled with New Media?
Table-Based Page Layout into a CSS-Based Layout
1. Questions on the Table-Based Layout exercise that I asked you to complete? I asked you to use this image for the page banner, and to send the URL to the forum "Table-Based Page."
2. We will next recreate this same page design using CSS for Layout exclusively. I will ask you to upload the page when we're finished and to send the URL to the forum, "CSS-Based Page."
What are some oppositions, tensions, or differences that Roth suggests in the narrative of this chapter?
How does Roth's chapter control our reponses to these "oppositions" without explicitly telling us what to think?
Does Roth's written point-of-view, for instance, suggest a privileging or judgement about the cultural and economic contrasts of urban Newark and suburban Short Hills?
How are these geographic/cultural differences characterized?
How do these differences inform our understanding or anticipation of the relationship that's starting, which will play out in the rest of the novella?
What other "this-versus-that" contrasts do you see in this piece of writing?
What assumptions or conclustions do you think Roth intends for the reader to make (thinking it's the reader's own idea).
Goodbye, Columbus, and the Challenge of Criteria 3
Today, we'll try to answer the questions in today's assignment above, using specific examples from the text of Roth's Goodbye, Columbus.
Save the result in your "www/exercises/table_based" folder, upload it to the Web, and send create a clickable URL in a new dicussion to the forum, "CSS New Page Old Styles"
Post the final image to the Web, and send a clickable link to it in a new discussion in the forum, "Banner Techniques"
Tuesday, March 2
Roll
For Today You Were To 1. Work on your New Media Writing Project, which will be due two weeks from yesterday (Monday)
2. Complete the exercise, "Banner Techniques (Photoshop)"--if I assign it at the end of class today.
For Next Time 1. Work on your New Media Writing Project, which will be due next Monday by noon.
2. If needed, complete the exercise, "Banner Techniques (Photoshop)" and send a clickable link to it in a new discussion in the forum, "Banner Techniques".
Post the final image to the Web, and send a clickable link to it in a new discussion in the forum, "Banner Techniques"
New Media Tropes
We'll discuss more of your "New Media Tropes"
I will ask you to name your trope, and create a 400 (w) x 275 (h) pixel screenshot of your trope (on a Mac: Command+Control+Shift+3, then paste into a new Photoshop document). Post both as a reply to your own message. For more on screenshots on a Mac, see Taking Screenshots in Mac OS X.
Thursday, March 4
Roll
For Today You Were To 1. Work on your New Media Writing Project, which will be due next Monday by noon.
2. If needed, complete the exercise, "Banner Techniques (Photoshop)" and send a clickable link to it in a new discussion in the forum, "Banner Techniques".
3. Come in prepared to work on your New Media Writing Project in class.
post it to its own folder inside of the "4250" in "www,"
visit the home page with your browser, and copy the URL,
create a clickable URL to it as a reply to my message in the forum, "NMW Projects."
For Next Time 1. Write and bring in your commentary for the New Media Writing Project.
2. To prepare to talk about our next assignment, bring in the URL of an online (new media) parody--that is, a parody of a Web site, a news source, social network, etc.
post it to its own folder inside of the "4250" in "www,"
visit the home page with your browser, and copy the URL,
create a clickable URL to it as a reply to my message in the forum, "NMW Projects."
For Today You Were To 1. Write and bring in your commentary for the New Media Writing Project.
2. To prepare to talk about our next assignment, bring in the URL of an online (new media) parody--that is, a parody of a Web site, a news source, social network, etc.
Collect Commentaries
Post parody URLs ...in a reply to the first message in the forum "Parody Examples"
For Next Time The Wiki "Parody Terms Applied" is composed of pages for each critical term we will talk about today. Send an entry to at least three of the pages of this Wiki. Each entry will comprise:
1. a clickable URL to one of the parody/satires from the "Parody Examples" forum (or a new one you found)
2. a detail of a screen shot inserted into the Wiki page, no more than 150 pixels wide. To create a screen shot on a Mac: While viewing the page in your browser, hit Command+Control+Shift+3, then paste into a new Photoshop document. For more on screenshots on a Mac, see Taking Screenshots in Mac OS X.
a paragraph of commentary on how the parody at that URL exemplifies (or does not exemplify) the critical term at the top of the page.
Questions?
Working Into the Next Assignment Let's talk about the key, critical terms of this project in terms of a particular example:
genre: a type of writing or communication, distinguished by its characteristic features, styles, audience, and use (collectively known as conventions). Examples: house renovation blogs, Amazon music page.
conventions: the features and styles that compose a genre.
parody: an imitation of a serious work for satirical or comic purposes
target: in a satire or parody, the particular social or cultural phenomenon being revealed or criticized, especially pretenses, subtexts, or concealed agendas.
façade: the literary effect of writing/designing in the "voice" of a character to make that character reveal more to the reader than he/she realizes. On a Web site, the facade is often created through "consistent inconsistencies."
pretense, subtext, concealed agenda: in a satire or parody, the gap between the character as publicly presented and the who or what character actually is.
(sub)culture: sets of social practices that constitute shared ways of seeing, acting, and being.
satirical intention: the ridicule of a social phenomenon, practice, or type, ideally to criticize and reform some representative vice or weakness for the general benefit of human society.
literary intention: the aesthetic presentation of character(s) and situation(s) to tell or suggest a story.
story: a set of cause-and-effect conditions presented to move a reader/viewer emotionally and intellectually.
"not men but manners": The eighteenth-century satirical novelist Henry Fielding said, "I describe not men, but manners; not an individual, but a species."
Terms for Satirical Modes to Avoid or Transcend:
travesty: the treatment of a noble and dignified subject in an inappropriately trivial manner. A crude form of burlesque.
burlesque: comic imitation of a serious literary or artistic form that relies on an extravagant incongruity between a subject and its treatment. Generally, burlesque is broader and coarser than parody.
Thursday, March 11
Roll
For Today You Were To
The Wiki "Parody Terms Applied" is composed of pages for each critical term we will talk about today. Send an entry to at least three of the pages of this Wiki. Each entry will comprise:
1. a clickable URL to one of the parody/satires from the "Parody Examples" forum (or a new one you found)
2. a detail of a screen shot inserted into the Wiki page, no more than 150 pixels wide. To create a screen shot on a Mac: While viewing the page in your browser, hit Command+Control+Shift+3, then paste into a new Photoshop document. For more on screenshots on a Mac, see Taking Screenshots in Mac OS X.
a paragraph of commentary on how the parody at that URL exemplifies (or does not exemplify) the critical term at the top of the page.
Post parody URLs ...in a reply to the first message in the forum "Parody Examples"
For Next Time 1. Have a good Spring Break
2. Come in with a prospectus of your Parody Project idea, which includes:
a one- or two-sentence description of your target (see also [sub]culture, "not men but manners" below).
a one sentence description of the genre you will parody
a URL to an example of that genre, or a fuller description (such as a published article or commentary).
a sentence that explains the gap or discrepancy that will help produce the facade (see also "pretense, subtext, concealed agenda")
3. Remember the Parody Project will be due two weeks after we come back.
Today, we will discuss some of your examples of these key ideas in the Wiki "Parody Terms Applied"
Key Terms
genre: a type of writing or communication, distinguished by its characteristic features, styles, audience, and use (collectively known as conventions). Examples: house renovation blogs, Amazon music page.
conventions: the features and styles that compose a genre.
parody: an imitation of a serious work for satirical or comic purposes
target: in a satire or parody, the particular social or cultural phenomenon being revealed or criticized, especially pretenses, subtexts, or concealed agendas.
façade: the literary effect of writing/designing in the "voice" of a character to make that character reveal more to the reader than he/she realizes. On a Web site, the facade is often created through "consistent inconsistencies."
pretense, subtext, concealed agenda: in a satire or parody, the gap between how the character is publicly presented, and who or what that character actually is.
(sub)culture: sets of social practices that constitute shared ways of seeing, acting, and being.
satirical intention: the ridicule of a social phenomenon, practice, or type, ideally to criticize and reform some representative vice or weakness for the general benefit of human society.
literary intention: the aesthetic presentation of character(s) and situation(s) to tell or suggest a story.
story: a set of cause-and-effect conditions presented to move a reader/viewer emotionally and intellectually.
"not men but manners": The eighteenth-century satirical novelist Henry Fielding said, "I describe not men, but manners; not an individual, but a species."
Terms for Satirical Modes to Avoid or Transcend:
travesty: the treatment of a noble and dignified subject in an inappropriately trivial manner. A crude form of burlesque.
burlesque: comic imitation of a serious literary or artistic form that relies on an extravagant incongruity between a subject and its treatment. Generally, burlesque is broader and coarser than parody.
Tuesday, March 23
Roll
For Today You Were To 1. Have a good Spring Break
2. Come in with a prospectus of your Parody Project idea, which includes:
a one- or two-sentence description of your target (see also [sub]culture, "not men but manners" below).
a one sentence description of the genre you will parody
a URL to an example of that genre, or a fuller description (such as a published article or commentary).
a sentence that explains the gap or discrepancy that will help produce the facade (see also "pretense, subtext, concealed agenda")
3. Remember the Parody Project will be due two weeks after we come back.
For Next Time A. Write and bring in
two paragraphs concerning your Parody Project:
1. The first paragraph should describe one specific example of the facade that will appear in your project: what the viewer will see, read, etc. from your narrator or character, and what the viewer will understand to be the case behind that character's/narrator's facade.
2. The second paragraph should explain what you are intending to suggest and observe with the facade.
B. Complete the Mock Up Page Exercise if you didn't already in class.
Mock-Up Page
In Dreamweaver, import your "www" site. We will post this exercise in a folder "www/4250/exercises/mockup and create a clickable URL in a reply to the forum "Mock-Up Page."
For Today You Were To
A. Write and bring in
two paragraphs concerning your Parody Project:
1. The first paragraph should describe one specific example of the facade that will appear in your project: what the viewer will see, read, etc. from your narrator or character, and what the viewer will understand to be the case behind that character's/narrator's facade.
2. The second paragraph should explain what you are intending to suggest and observe with the facade.
B. Complete the Mock Up Page Exercise if you didn't already in class.
For Next Time In the voice/person of a character who is not you, write a commentary on an image that functions as a facade. Use the technique of "sliding" we learned from "My Last Duchess." Bring the caption and the image into class on your USB drive.
For Today You Were To In the voice/person of a character who is not you, write a commentary on an image that functions as a facade. Use the technique of "sliding" we learned from "My Last Duchess." Bring the caption and the image into class on your USB drive.
For Next Time Bring in all materials to work on your Parody Project in a Studio Session. The project will be due (posted to the Web, URL sent to a forum TBA) by Monday, April 4 at noon. The Commentary will be due at the beginning of class on Tuesday, April 5.
Your "My Last Duchess" Imagetexts
Compose your image/word combinations in a reply to my first message in the forum "'My Last Duchess' Imagetexts." (Note: You will need to upload your image in a new folder "www/4250/exercises/imagetext" and then link to the URL in order to insert it into your forum posting). (As an experiment, also try to compose the same image/text combination in the Wiki "My Last Duchess Imagetext")
Once you and your classmates have posted, I'll ask you to reply to the one that you think most successfully uses the facade effect to create a rich sense of character, story, satire, etc.
Thursday, April 1
Roll
For Today You Were To
Bring in all materials to work on your Parody Project in a Studio Session.
For Next Time (By the Beginning of Class)
Write and bring in your Parody Project Commentary
Bring Lev Manovich's The Language of New Media (hard copy of the book required)
For Next Tuesday (By Noon)
Post your parody project to the Web in its own folder at the top level of "4250" (e.g., "www/4250/parody").
Visit the main page of the parody with your browser and copy the URL
Open a second tab in your browser (Command+t on a Mac using Firefox, for example) and, from the course home page, open Parody Project URLs
In a reply to my message in the forum Parody Project URLs, create clickable URLs to any and all pages in your project.
From Lev Manovich's The Language of New Media, read "Prologue: Vertov's Dataset" (xv-xxxvi) and "How Media Became New" (pages 21-26).
We will start by asking what Manovich means when he says,
A hundred years after cinema's birth, cinematic ways of seeing the world, of structuring time, of narrating a story, of linking one experience to the next, have become the basic means by which computer users access and interact with all cultural data. (xv)
From Lev Manovich's The Language of New Media, read "Prologue: Vertov's Dataset" (xv-xxxvi) and "How Media Became New" (pages 21-26).
We will start by asking what Manovich means when he says,
A hundred years after cinema's birth, cinematic ways of seeing the world, of structuring time, of narrating a story, of linking one experience to the next, have become the basic means by which computer users access and interact with all cultural data. (xv)
For Next Time Read Manovich: "Principles of New Media," 27-48, and "What New Media is Not" 49-61
For Today You Were To Read Manovich: "Principles of New Media," 27-48, and "What New Media is Not" 49-61
For Next Time
In each of the following readings, locate a passage, line, or term that seems important but that you don't understand. Note down the page number. Try to compose a question about each passage that attempts to "interrogate" what you don't understand about it:
"What New Media is Not" 49-61 (which you already read for today)
"The Operations," pages 117-145
Alternatively, you might locate a pair of passages or lines that are part of the same idea or section, but don't clearly relate for you.
We will demonstrate this critical practice in class today (call it "overcoming the tyranny of understanding").
Questions?
The Essay: Complicating Old and New
Questions about The Essay Project assignment?
For Today You Were To
In each of the following readings, locate a passage, line, or term that seems important but that you don't understand. Note down the page number. Try to compose a question about each passage that attempts to "interrogate" what you don't understand about it:
"What New Media is Not" 49-61 (which you already read for today)
"The Operations," pages 117-145
Alternatively, you might locate a pair of passages or lines that are part of the same idea or section, but don't clearly relate for you.
We will demonstrate this critical practice in class today (call it "overcoming the tyranny of understanding").
For Next Time
Read Manovich pages 145-175 ("The Operations" continued).
Questions?
The Essay: Complicating Old and New
Questions about The Essay Project assignment?
Lev Manovich Discussion (MonH 208)
In each of the following readings, I asked you to:
locate a passage, line, or term that seems important but that you don't understand.
note down the page number.
try to compose a question about each passage that attempts to "interrogate" what you don't understand about it
"The Operations," Manovich pages 117-145, 145-175
"The Forms" Manovich pages 213-243.
Tuesday, April 27
Roll
For Today You Were To Read Manovich: "The Forms," pages 244-285
For Next Time
Bring in the old-media work that you've chosen for your Navigable Remake Project.
Questions?
The Essay: Complicating Old and New
Questions about The Essay Project assignment?
Navigable Remake
Take a look at the new, improved assignment page now with complete with criteria. assignment?
Lev Manovich Discussion (MonH 208)
We'll complete our discussion of the three operations of new media (section, compositing, teleaction), and then talk about Chapter 5 (The Forms)
"The Operations," Manovich pages 117-145, 145-175
"The Forms" Manovich pages 213-243, 244-285
Thursday, April 29
Roll
For Today You Were To
Bring in the old-media work that you've chosen for your Navigable Remake Project.
Bring in your Manovich book
For Next Time
Complete the Child Window Exercise if needed. I will tell you at the end of class today if I want you to continue with the Multi-Layered Image Exercise.
Post the exercise folder to the Web, and send the clickable URL to the forum "Child Windows."
Creating Multi-Layered Image in Photoshop
In this exercise, you'll learn to create a multi-layered document in Photoshop. This image will be inserted on a Web page in Dreamweaver, and made into an "image map" with what DW calls "hotspots."
For Today You Were To
Complete the Child Window Exercise if needed. I will tell you at the end of class today if I want you to continue with the Multi-Layered Image Exercise.
For Next Time
Bring in all materials needed for a Studio Session to work on your Navigable Remake
Post the exercise folder to the Web, and send the clickable URL to the forum "Child Windows."
Creating Multi-Layered Image in Photoshop
In this exercise, you'll learn to create a multi-layered document in Photoshop. This image will be inserted on a Web page in Dreamweaver, and made into an "image map" with what DW calls "hotspots."