English 3906 Syllabus |
Course OverviewWhy do we read literature and why should we read literature? How can we become better readers of literature? This course will provide students with an introduction to the art of literary criticism with a focus on criticism's historical development and on variations between contemporaneous approaches. By examining our critical history, students will be able to expand their repertoire of analytical techniques to use when analyzing literature in courses leading up to completion of the English major. ObjectivesDuring the semester, I expect students to achieve the following goals:
ExpectationsIn order to accomplish these goals, students must
Grade Breakdown:
Your grade will depend primarily on your written work and the understanding of the material that you convey through that work. A command of standard written English and the ability to present an argument will also contribute to the determination of your grade.
Late assignments will receive a deduction of 1/3 of a letter grade for each business day that they are late. Students who miss exams may not make them up without a valid excuse for the absence. If students anticipate missing an exam or a paper deadline for a valid reason and consult with me in advance, I can consider exceptions on a case-by-case basis. Academic dishonesty tarnishes the reputation of the University of Minnesota Duluth and discredits the accomplishments of its students. Because the university is committed to providing students every possible opportunity to grow in mind and spirit, it must insist on an environment of trust, honesty, and fairness. Consequently, all members of the academic community must regard any act of academic dishonesty as a serious offense. In keeping with this ideal, this course will adhere to UMD's Student Academic Integrity Policy, which is available online at "http://www.d.umn.edu/conduct/integrity/". This policy sanctions students engaging in academic dishonesty with penalties up to and including expulsion from the university for repeat offenders. Individuals who have any disability, either permanent or temporary, which might influence their capacity to perform in this class, should inform me at the start of the semester. I can make special adaptations of teaching methods, assignments, materials, or testing as required to provide for equitable participation in the course. The Office of Disability Resources is also available to assist students with disabilities. It is located in 258 Kirby Student Center and on the web at "http://www.d.umn.edu/access/". Required TextsBressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. Fifth Edition. New York: Longman, 2011. Print. Hawthorne, Nathaniel. The Scarlet Letter and Other Writings. Ed. Leland S. Person. New York: W. W. Norton, 2005. Print. Shakespeare, William. Othello. Ed. Edward Pechter. New York: W. W. Norton, 2004. Print. Supplementary TextsBercovitch, Sacvan. The Rites of Assent: Transformations in the Symbolic Construction of America. New York: Routledge, 1993. Print. Chase, Richard. The American Novel and Its Tradition. Baltimore: Johns Hopkins U. P., 1957. Print. Dekker, George. The American Historical Romance. Cambridge: Cambridge U. P., 1987. Print. Diffee, Christopher. "Postponing Politics in Hawthorne's Scarlet Letter." Modern Language Notes 111 (1996): 835-71. Print. Donahue, Agnes McNeil. Hawthorne: Calvin's Ironic Stepchild. Kent, OH: Kent State U. P., 1985. Print. Donaldson, Peter. Shakespearean Films/Shakespearean Directors. Boston: Unwyn Hyman, 1990. Print. Fleischner, Jennifer. "Hawthorne and the Politics of Slavery." Studies in the Novel 23 (1991): 96-106. Print. Fraser, Russell. Young Shakespeare. New York: Columbia U. P., 1988. Print. Greenblatt, Stephen. Renaissance Self-Fashioning. Chicago: U. of Chicago P., 1980. Print. ------. Representing the English Renaissance. Berkeley, CA: U. of California P., 1983. Print. Moers, Ellen. "The Scarlet Letter: A Political Reading." Prospects 9 (1985): 49-70. Print. Montrose, Louis. The Purpose of Playing: Shakespeare and the Cultural Politics of Elizabethan Theatre. Chicago: U. of Chicago P., 1996. Print. Orrell, John. The Human Stage: English Theatre Design, 1567-1640. Cambridge: Cambridge U. P., 2009. Print. Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction, 1790-1860. New York: Oxford U. P., 1985. Print. Vaughan, Virginia Mason. Othello: A Contextual History. Cambridge: Cambridge U. P., 1994. Print. |
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John D. Schwetman 9 September 2014 |